A veteran attended a the premier of the movie Dunkirk. This small interview and the movie clip below will show you just how special this movie is. It’s getting great reviews!
MOVIE TRAILER: In May 1940, Germany advanced into France, trapping Allied troops on the beaches of Dunkirk. Under air and ground cover from British and French forces, troops were slowly and methodically evacuated from the beach using every serviceable naval and civilian vessel that could be found. At the end of this heroic mission, 330,000 French, British, Belgian and Dutch soldiers were safely evacuated.
NYT Review: ‘Dunkirk’ Is a Tour de Force War Movie, Both Sweeping and Intimate
One of the most indelible images in “Dunkirk,” Christopher Nolan’s brilliant new film, is of a British plane in flames. The movie recounts an early, harrowing campaign in World War II that took place months after Germany invaded Poland and weeks after Hitler’s forces started rolling into the Netherlands, Belgium, Luxembourg and France. The plane, having glided to a stop, has been defiantly set ablaze by the pilot to avoid its being captured. It’s an image of unambiguous defeat but also an emblem of resistance and a portent of the ghastly conflagrations still to come.
It’s a characteristically complex and condensed vision of war in a movie that is insistently humanizing despite its monumentality, a balance that is as much a political choice as an aesthetic one. And “Dunkirk” is big — in subject, reach, emotion and image. Mr. Nolan shot and mostly finished it on large-format film (unusual in our digital era), which allows details to emerge in great scale. Overhead shots of soldiers scattered across a beach convey an unnerving isolation — as if these were the last souls on earth, terminally alone, deserted. (Seen on a television, they would look like ants.) Film also enriches the texture of the image; it draws you to it, which is crucial given the minimalist dialogue.