It used to be you could go see a movie and it could just be a fun movie…a summer blockbuster.

Something like Jaws or Jurassic Park.

Fun.

Big.

Entertaining.

Now it seems like every movie is pushing a narrative, and if you don’t get the “Netflix-wants-to-turn-you-gay” narrative, it looks like you’ll get the Steven Spielberg “aliens are real” narrative.

Because here’s the latest, and quite frankly I’ve been warning you about this for a long time….

Beginning in 2015, I told you they would eventually roll out the aliens, tell you they are real, and that will be the final card they need to play to distract the public.

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People thought I was crazy back then….but now?   Now they don’t laugh anymore.

Because here is Steven Spielberg himself telling you his new movie is NOT science fiction:

Oh, and did you catch the all-seeing eye all over the movie posters?

That tells you all you need to know.

DEEP STATE PSYOP?

They always label their work, you know that right?

The “all-seeing single eye” is all over this movie:

But I’m sure that’s just a coincidence right?

Just “artistic direction”?

Right….

Anyway, here’s the full interview if you want to see it:

FULL TRANSCRIPT:

Speaker 1

Those are Froot Loops. Froot Loops. My favorite. I’ve been a believer since I made Close Encounters 50 years ago.

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Um, but and I wouldn’t call that science fiction. I called it science speculation. Whenever Harrison was on a horse, it made me wistful for, for wanting to direct a full western, a real western. We are interrupting our coverage.

How will disclosure change us? I believe for the better.

Speaker 2

Thank you so much for doing this. Uh, I, I’m a fan of, I was always a fan of Richard Schickel, including his interviews with you.

Speaker 1

So was I.

Speaker 2

And I, I know from those interviews how you often viewed, I think, The Color Purple as a kind of turning point for you where you began making films about quote unquote more serious or, or darker material.

And so I wonder if this, this movie is in some ways, I tend to see it as a, a return to some of the subject and material that drove you as a younger filmmaker. Maybe some of the wonderment, but made by the filmmaker who’s made all those movies since.

Uh, how would you describe it?

Speaker 1

Well, it’s, it’s hard for me to describe it in, in, in those terms. It’s easier for me to describe it as, um, you know, my first film that will be, you know, considered science fiction that I do not consider to be science fiction.

You know, it’s much more reflective of the world as it is evolving and discoveries that are being made as we speak.

Speaker 2

Well, just to take aliens out of it for a second, I was moved by how much your film is about empathy and seeing directly into someone’s eyes.

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Speaker 1

Yes.

Speaker 2

Uh, I, you open the movie with American flags, little American flags. I, I, I’m curious if there’s something about American life today that drove you to, to tell a story about empathy.

Speaker 1

Well, you know, I think every movie should have a, have great emphasis on empathy because empathy sometimes feels like it’s in short supply. Uh, we all have it.

Sometimes we’re, we, we can’t use it. Uh, um, sometimes it’s not allowed to be used if you want to, you know, stay aligned with, uh, you know, your friends and your belief systems, but, um, but I think empathy is, is there for all of us.

I certainly think we all have it for our children, we all have it for our friends, we just sometimes don’t have it for each other. And, uh, and so I, I thought that disclosure day could be a, a way to talk about that.

Speaker 2

The, was it 2023, all those, uh, videos, uh, uh, came out of different possible encounters with UFOs, Navy videos. How, how did you respond when you first saw those reports?

Speaker 1

It was really 2017 when the New York Times came out with the story where they, basically a whistleblower had, had given them the FLIR footage of the tic tacs and, uh, that were, that were moving anti-ballistically through the air against, you know, you know, 120 mph headwinds and doing things that were impossible for any conventional aircraft to fly.

And, and that’s where, you know, that’s where for me all the reports and all the UFO flaps in the ’50s and the ’60s and the ’70s and the ’80s, from Roswell in 1947 to the, the alleged abduction of Betty and Barney Hill in the 1950s, and to the Pascagoula incident, and to then the Ariel School in Zimbabwe that John Mack from Yale did extensive interviews and research about.

And all the documentaries that have been made, and suddenly, uh, uh, uh, Congress is talking about it and senators are asking questions and, uh, you know, there, there, there are, the subcommittees are being convened. And in 2023, it was the House Intelligence Committee had hearings where they interviewed, uh, Grush, Fravor, and Graves, um, who, who were basically blowing the whistle on, on, on things they knew that, uh, they thought it was time to speak under oath to both Congress and the American people. And that really turned everything on its head.

Speaker 2

So there was no epiphany for you necessarily. I believe it was maybe an ongoing kind of revelation.

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Speaker 1

Yeah, I, I, I, look, I’ve been a believer since I made Close Encounters 50 years ago. Um, but and I wouldn’t call that science fiction. I called it science speculation.

When I did press on Close Encounters, I refused to call it science fiction. But I, I, I, I was certainly a believer of life elsewhere. But I was, I would always say, until I see a UAP or a UFO with my own eyes, I’m not going to categorically state that there’s proof that life from out there has come here.

But I, that I have changed that because I’m now willing to, to change my mind because of the circumstantial evidence, which is overwhelming.

Speaker 2

There’s a great deal in this movie about faith, and a lot of it because that’s what it would shake up. And, and I, I, my impression is that your faith in filmmaking is as strong as ever despite the concerns people have.

Uh, what, what, what gives you, despite industry changes, despite AI, despite all the things that make people fear the doom and gloom in the movie industry, what gives you the faith in the movies?

Speaker 1

The audience gives me the faith, faith in the movies. The, uh, I, the audience that after COVID started to trickle back into movie theaters.

And, and, and, and even though the numbers are still not pre-COVID level numbers for any films that are being released now, they, it’s, it’s robust, more than it has been in, in many years. And the audience gives me belief that people still want to congregate in a, in a dark space, you know, and in the company of strangers, to share an experience of, of a film that is made by storytellers.

And, and that gives me faith to continue making films. I’m, I’m not against streaming. I’m not against movies made for, for streamers. I support that, you know, and I’ve made movies for streamers. I haven’t directed one yet, but I, I support that.

But I am of the firm belief, which is why we released Hamnet in movie theaters and not on, on, on a, on a streaming platform, because I believe there was an audience for Hamnet that needed to share that grieving together in, in a comm, in a, in a, in a form of communion. And, and I thought it would be a more healthy experience to have that in a movie theater than on a streaming platform.

Speaker 2

I think people will say the same about disclosure day. It, from the moment the hail turns to the, uh, cereal falling into the bowl. I feel like it’s, it’s just, it’s a grammar that is only yours.

Speaker 1

I love that you caught that. That’s great. Thank you.

Speaker 2

Well, of course. I mean, it’s, it’s, it’s, it’s maybe the first moment we know it is you making this movie.

Speaker 1

The, uh, I, so, those are Froot Loops. Froot Loops. My favorite.

Speaker 2

I, I have spoken, spoken to, uh, Marty Scorsese before about around when he was turning 80, he started to think, “How many more do I have?”

Speaker 1

Yeah.

Speaker 2

I’m guessing that’s not your mentality.

Speaker 1

I never think about how many more I have. It’s just, I’m just hopeful that I will be, you know, inspired, uh, when something comes along as I was with disclosure day, and I, as I was with Fabelmans, and as I was with West Side Story before that.

I’m just hoping that, that, that a subject comes along, and I, I always have something in development, but a subject comes along that grips me as tightly as disclosure day did so I can go on and make another movie.

Speaker 2

I, I, I think there could be something about a character who is just compelled, almost out of body, towards some action. There’s Emily Blunt in this movie, but, you know, Richard Dreyfuss in Close Encounters.

I, I wonder if that’s a type of character that you maybe identify with, if film is something almost like, like it is for, for them, for, for you.

Speaker 1

Well, I identify with characters who aren’t afraid of mysterious things happening to them and who are fighting for their survival by trying to discover what they don’t know.

And Emily Blunt’s character and Josh O’Connor’s character, Margaret Fairchild and Daniel Kellner, uh, are having things happening to them in real time that, that they can’t explain. And they are desperate to find out what’s the matter, and that sort of fuels a lot of the story.

Speaker 2

I, I spoke to David, uh, uh, yeah, around when you had just finished production on this, and he was sort of buzzing from the experience. He had never seen, he said that for a guy who’s always extremely engaged, you were engaged in a way on this that he had never seen you before.

Did, did you feel that way?

Speaker 1

Yeah. I, I would never let David sleep on this thing. He got more notes from me on his phone than I’ve ever sent to anyone in my life.

And because David loves the process, he loves the fact that, you know, we don’t sculpt, and then we don’t sculpt in steel. We, we sculpt in, and in, and in warm, wet clay, and it’s always moving and changing and evolving.

And because David is so hungry to continue to discover what is not, you know, what is not, um, you know, uh, you know, sacrosanct, and, and because of that, he’s just a perfect partner for me to write with.

Speaker 2

It, it’s a wonderful collaboration you two have, and I, I, I think that what you’re describing of, of that kind of curiosity is obviously in you and in this movie. Did, did, uh, I, I, it’s a bold way that you end it. I would say it’s really, uh, enthralling.

I think, I feel like you are, you are hoping to start a conversation with this movie.

Speaker 1

I am. I’m hoping to have people have a conversation, to think about it a lot, even perhaps see it again. I’m not talking about commercial reasons to see it again.

Because there are so many questions people are going to have coming out of disclosure day, and by seeing it again, they are going to get some of those questions asked, but not all of them answered. But not all of them. And I just want to start conversations about this subject.

Speaker 2

I’ll be seeing it again with my daughters, that, uh, for…

Speaker 1

How old are your daughters?

Speaker 2

10 and 13.

Speaker 1

Oh, that’s a good age. Old enough. That’s a good age.

Speaker 2

Yeah, they, they love you, by the way.

Speaker 1

Thank you.

Speaker 2

But I would say there’s also real admiration for what a whistleblower is in this film. Uh, I, I mean, uh, uh, I, tell me about that. What, what, what interests you about whistleblowers?

They have been foundational to many of the biggest news stories of the past 10 years. Uh, what draws you to, to a character who is, you know, essentially a whistleblower?

Speaker 1

Well, because a whistleblower is risking, risking everything. They’re risking their careers. They’re risking gainful employment.

They’re risking their reputations. And there, some, some of them risking their lives.

Speaker 2

The, I, I, I think I’ve heard you talk about a western being what you want to…

Speaker 1

Well, I would like to do a western, and I’m working on one right now. I don’t have any, you know, I, I can’t talk too much about it, but it’s a genre that I’ve always loved.

And, um, I, I always feel that parts of the Raiders adventure movies are like westerns. Whenever Harrison was on a horse, it made me wistful for, for wanting to direct a full western, a real western, whenever Harrison was riding a horse.

Speaker 2

I, I, I think it’s probably, uh, surprising that you haven’t, in a way, that…

Speaker 1

Yeah, me too.

Speaker 2

I think of your, every time I take a photograph, I think of your John Ford’s story about the horizon. Uh, well, that’s a true story.

Speaker 1

Yeah, it’s in The Fabelmans. He said that to me word for word.

That, that is word for word my first and last meeting with John Ford.

Speaker 2

I don’t think about every frame I take, I, I remember that story. Um, I, I’ll end by just asking, I, I imagine The Fabelmans was just an extraordinary capstone.

I was there in Toronto when you premiered it, when your sisters stood up.

Speaker 1

Yes.

Speaker 2

Uh, a movie unlike any you had made. The transition from, I imagine after that, it’s, it’s a, it’s a hard question. What do I do next?

Speaker 1

It was, it was the, it was the hardest question I ever had to ask myself because there was such completion, uh, uh, in resolving so many personal issues that I’ve never aired in public before The Fabelmans.

And I didn’t care whether people thought The Fabelmans was just a, a tale, a yarn, or whether they, they cared that it was actually all true. I didn’t care about that. It was something I did for myself.

I always used to say it was $40 million of therapy that I didn’t have to pay for. Universal did, but, um, but it was, it was something that I needed to, to, to make when I made it.

I couldn’t have made it a year before, and I couldn’t have made it a year after. It was something that had to happen. It wouldn’t have happened without Tony Kushner, who prodded me during West Side Story to tell that story, and wouldn’t leave me alone until I sat with him and wrote it.

Speaker 2

And, and this came along and, and, and you after, after a little bit of a break.

Speaker 1

Yeah.

As usual, I DO think they will soon roll out the aliens….only I don’t think they’ll be aliens at all.

I think they will be finally exposed as the disembodied Nephilim a/k/a “demons”.

RELATED REPORT HERE:

ALIEN DISCLOSURE: Have You Heard Of Sine-Wave Speech?

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I keep telling you, the Alien Disclosure moment is getting closer and closer!

Steven Spielberg has a big new movie coming out in 2026 called Disclosure Day, which is all about — you guessed it — disclosure of Aliens.

The trailer is catching a TON of attention.

Watch here:

So basically the idea is that Aliens come to Earth or finally reveal themselves on Earth and they kind of possess people (looks like Demon possession) and start to speak through them.

Sound familiar?

Sound basically like straight out of the Bible?

Sound basically like what I told you was coming soon?  I told you the Aliens will be the last card they play.

I know, I know….it’s just a movie.

Unless, it isn’t?

Unless just like all the great movie makers, Steven Spielberg is actually being used to roll out Soft Disclosure?

I mean, he literally put “Disclosure” in the name of the movie, but I’m the Conspiracy Theorist?

But I’m not the only person who is noticing…

Here is Dr. Michael P. Masters who told Joe Rogan that Steven Spielberg has been part of “controlled disclosure” since the 1970s:

And then there are the Alien voices…

Some are claiming Spielberg used “real” Alien voices in the film:

And here:

I don’t have any idea about that, but what’s more interesting to me about the voices is that there IS actually something very real and very strange behind the voices.

It’s called “Sine-Wave Speech” and I’ll show you exactly how it works.

Basically, it’s been used for decades by Hollywood to control how we think and to precondition us to all sorts of ideas ….and that is NOT “conspiracy theory”, that’s fact.

Now I’ll prove it to you…

Watch/listen to this video below.  It’s going to give you two “Sine-Wave Speech” audio blurbs that will almost certainly sound like gibberish to you.  Then it will give you another blurb in English.  Then it will replay the original “Sine-Wave Audio” and you will be able to hear it perfectly:

Of course you can test that it’s not fake by going back and listening to the first part after you know what it’s saying and you’ll be able to hear it clear as day.

Anyone remember the movie Wall-E?

Isn’t that exactly how that bot talked too?

Gee, I wonder what subliminal messages were programmed into THAT movie?

Here’s another incredible example of Sine-Wave Speech that will further blow your mind:

I will let you in on a secret about Steven Spielberg‘s new movie.

The alien character uses sine-wave speech to communicate, something I’ve researched for over 45 years.

I can condition just about anyone with the right primer. I’ve used this in many projects and here on X. In the specimen video below, you will hear the primer twice, then you will hear the actual words, and then you will always hear it from that primer and other sentences that I can demonstrate.

In the Steven Spielberg movie, the speech is obscured in sign wave plus click sounds.

The interesting thing about sine-wave speech is that subliminal induction has been proven to be able to take place hidden within melodies and songs are words that can impact your choices from your subconscious.

We are living in interesting times .

Here’s one more…from 11-years ago!

This stuff has been around for a very long time and they have been using it to manipulate the public for even longer:

Creepy stuff!

Meanwhile, if this all sounds and feels familiar to you, it’s because they did almost the same noises in Signs.

Remember this?

EXCLUSIVE: My Take On The “Coming Great Deception”

The Bible tells us very clearly that there is coming in the future a “Deception” so great that even believers will be fooled by it.

That’s not really up for debate.

The only thing up for debate is (1) what is it, and (2) has it already started?

I’m going to give you my opinion on both of those questions in this article and then I want to hear what YOU think!

First I have to put this in context.

Third years ago, if I would have tried to have a serious debate and discussion about whether “aliens” are real, I would have been laughed out of the room.

Today?

Today it’s not only debated in Congress but actual testimony to Congress from multiple sources all say they’re real, they’ve seen them, we have many of their craft/vessels, and we even have “biologics”.

“Biologics” = we have recovered or captured alien bodies.

Folks, that is not Noah on the Internet saying I think those things are true.

That is Noah reporting to you that this was DIRECT TESTIMONY given to Congress just a few weeks ago.

In fact, we Live Streamed the testimony live on my Rumble channel, which you can see right here if you want:

I’m just setting the stage and then we’re going to dive right in….and go DEEP!

Against that backdrop we also have Mr. Space himself, Elon Musk, saying:  “I haven’t seen any evidence of aliens…and I would think I should know!”

Here is a pretty famous clip of Elon being asked about Aliens and responding by saying he’s seen a lot into space and has never seen any evidence of Aliens.

Watch:

Now let me blow your mind for a second….

I think Elon is right.

And I think it lines up EXACTLY with what I’ve been telling you for the past several years.

As usual, we’re sometimes early but we’re often right on the money with our reporting.

So I think Elon is correct and telling the truth when he says he doesn’t see any evidence of Aliens when he looks out in Space….and yet, something is clearly happening.

The sightings are increasing.

They don’t seem to all be fakes.

We have a VAST rise in technology since the 1940s and the alleged alien crash in Roswell, NM.

Suddenly technology starts accelerating at a rate we have never seen before in history.

A pace that suggests perhaps it’s less organic discovery and more reverse engineering of advanced technology.

Heck, even Jack Dorsey just today posted this to Twitter:

That would be a flying saucer, in case you couldn’t tell.

Remember, these people ALWAYS tell you what’s coming before it happens.

I don’t know why, but it seems to be written into their rules that they have to tell you what they do before they do it.

So we have all the EVIDENCE of aliens, we have Jack Dorsey Tweeting about Aliens, we even have Tucker Carlson doing shows on Aliens and saying he’s been given evidence they exist….and yet, I also think Elon Musk is right when he says he sees no evidence of them in Space.

How can both be right?

Simple: because they aren’t “aliens” and they aren’t coming from Space.

They are the disembodied Nephilim coming straight out of Genesis 6:4.

It’s right in your Bibles folks, look it up!

It starts in Genesis 6:4 and then continues throughout the entire Old Testament!

And they don’t come and go from “Space”.

They come and go from different dimensions that we can’t see.

That’s why they can appear and disappear in what looks to us like a flash.

If you’re thinking I’ve lost it, stick with me and I’ll tie it all together for you, with Bible references and all.

Stay with me!

I don’t want to get too bogged down with science and dimensions, but the jump from 2D to 3D will help you understand 3D to 4D:

This one is even better and goes deeper (still only 5 minutes)…

Take a look:

Totally fascinating, but enough with that.

Back to what ARE these things?

I contend they are not “Aliens” in the sense that they come from some other planet in the Universe.

And Elon Musk is telling you the same thing.

I actually think it has much more to do with 2 Thessalonians 2, Matthew 24 and Genesis 6 than “Space”.

Do you know what those verses say?

2 Thessalonians 2:11-12 describes the coming Great Deception:

11 For this reason God sends them a powerful delusion so that they will believe the lie 12 and so that all will be condemned who have not believed the truth but have delighted in wickedness.

Matthew 24:24 says even the elect will be deceived (if that’s possible):

 

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